WORKS

Catalogue list by genre

Unisono III

for voice, cello and computer
(2020) – 6’
commissioned by Inbal Segev
as part of the 20 for 2020 Recording Project

Triptyque

for ensemble
(2020) – 19’
PWM 2020
commissioned by Radio France and Ensemble InterContemporain

(more…)

mono-drum

for solo Bass Drum
(2020) – ca 7-8’
commissioned by Ensemble InterContemporain and Théâtre du Châtelet

(more…)

Friction

for trumpet, trombone and tuba
(2020) – 9’
PWM 2020
commissioned by Linea Ensemble

(more…)

piano piano but not pianissimo

for piano(s) solo
(2019) – 10’

(more…)

3×3

for ensemble
(2019) – 20’

PWM 2019
commissioned by 2e2m Ensemble

(more…)

Chamber Piano Concerto


for piano(s) and ensemble
(2018) – ca 13’
PWM 2018
commissioned by Südwestrundfunk

(more…)

Fireworks


for large symphony orchestra
(2018) – 8’
PWM 2018
commissioned by Adam Mickiewicz Institute
 

(more…)

Cleopatra’s Songs


for voice and instrumental ensemble
text by William Shakespeare
(2017) – 30’
PWM 2018
written on the occasion of the Erste Bank Kompositionspreis 2018

(more…)

Mother Lode I-III


chamber works cycle
(2017) – ca 21′

commissioned by Polish National Radio Symphony Orchestra

Bildbeschreibung


opera-form
for two voices, instrumental ensemble and electronics
text by Heiner Müller
(2016) – ca 100′

PWM 2018
commissioned by Klangforum Wien and Adam Mickiewicz Institute
 

(more…)

In the Shade of an Unshed Tear


for orchestra
(2016) – 15′

PWM 2016
commissioned by Seattle Symphony

Double Battery

for instrumental ensemble
ossia: with augmented sound space
(2016) – ca 20′
commissioned by Ensemble InterContemporain

The Alphabet of the Ars Brevis

for two male voices
(2016) – ca 4′
commissioned by Musikprotokoll

Chapter 13


for soprano and instrumental ensemble
text by Antoine de Saint-Exupéry
(2015) – 9’
commissioned by Los Angeles Philharmonic

(more…)

Madrigals

for five voices
(2015) – 10’
commissioned by Westdeutschen Rundfunks
for Neue Vocalsolisten

(more…)

Violin Concerto

for violin and chamber orchestra
(2014) – 13’
commissioned by Collections – Composers’ Commissions of Institute of Music and Dance

Where to


for instrumental ensemble
(2014) – 20’
commissioned by TenFourteen LLC, an arm of the Jebediah Foundation
for San Francisco Contemporary Music Players

Cadenza

for solo violin
(2013/2014) – ca 5’30”

IN

for large symphony orchestra
(2013) – 12’30
commissioned by Hannoversche Gesellschaft für Neue Musik
for Staatsoper Hannover

Lullaby

for mixed choir
to poetry by William Shakespeare
(2013) – 7’30
commissioned by Wratislavia Cantans Festival

In Between the Ebb of Thoughts and the Flow of Sleep

for voice, piano and string orchestra
to poetry by Tadeusz Dąbrowski
(2013) – 14’30
commissioned by Collections – Composers’ Commissions of Institute of Music and Dance

Percussion Store


for percussion ensemble and orchestra
(2012) – ca 15’
commissioned by The Karol Szymanowski Philharmonic in Cracow

(more…)

What is the word

for voice and instrumental ensemble
texy by Samuel Beckett
(2012) – ca 10’
commissioned by Klangforum Wien

Wounded Angel

for double bell trumpet
(2009/2012) – ca 8’

Labyrinth

for voice and instrumental ensemble
text by Wisława Szymborska
(2011) – ca 10’
commissioned by Polish Institute in Tel Aviv

Shades of Ice

for clarinet, cello and electronics
(2011) – ca 9’
commissioned by London Sinfonietta

The Streets of a Human City

for instrumental ensemble
(2011) – 16’
commissioned by Deutschlandfunk
for Warsaw Autumn Festival

Aphorisms on Miłosz

for soprano and instrumental ensemble
text by Czesław Miłosz
(2011) – 20’
commissioned by Sacrum Profanum Festival

Suite

for percussion trio
(2011) – 14’

Oresteia


dramopera for soloists, actors, choir, percussion and electronics
(2011) – ca 80’
commissioned by Teatr Wielki – National Opera in Warsaw

Not I

for voice, instrumental ensemble and electronics
text by Samuel Beckett
(2010) – ca 21′

Symphony No. 3

for double bell trumpet and symphony orchestra
(2009) – ca 25′
scholarship of Rockefeller Foundation

Between

opera/ballet
for voice, electronics and dancers
(2008) – 51′

of Songs

for soprano, cello, choir and orchestra
(2007) – ca 40′
commissioned by City of Wroclaw
for Wratislavia Cantans Festival

Cascando

for voice, flute, clarinet, violin and cello
text by Samuel Beckett
(2007) – ca 15′
commissioned by Seattle Chamber Players

Maximum Load

for percussion and computer
(2006) – 14′

String Quartet No. 1

for four cellos and computer
(2006) – ca 12’
commissioned by Ultraschall Festival in Berlin

Symphony No. 2

for 77 performers
(2005) – ca 14’
commissioned by Deutsche Welle

Concerto grosso

for recorder, baroque violin, harpsichord and choir
text by Miron Białoszewski
(2004) – ca 18’

Stories

for voice and preprared piano
text by Natasza Goerke
(2004) – ca 16′

Unisono II

for voice, accordion and computer
(2003) – 9′

Unisono I

for voice, percussion and computer
(2003) – 6’

Nelumbo

for four marimbas
(2003) – 8’

Symphony No. 1

for orchestra
(2002) – 15’

Lentille

for string orchestra, voice and accordion
(2001) – 13’
commissioned by Warsaw Autumn Festival and Ernst von Siemens Musikstiftung

Re-Cycle

for five percussionists
(2001) – 16’

Trivellazione a percussione

for percussion solo
(2000) – ca 8’

Parlando

for voice and computer
(2000) – ca 8’

Photographs from an Album

for marimba and string quartet
(2000) – ca 17’

(more…)

Ragnatela

for bassoon and string orchestra
(1999) – 12’

Ludia i Fu

for guitar solo
(1999) – ca 6’
Edition Modran 2000 

Meditations

for mixed choir
text by Jan Twardowski
(1999) – 5’ 

A Song about the End of the World

for voice, reciter and instrumental ensemble
text by Czesław Miłosz
(1998) – 10’

Three Miniatures

for piano
(1998) – 5’

Birthday

for mixed choir
text by Wisława Szymborska
(1998) – 4’
 

Nocturne

for violin solo
(1997) – 8’
(Anthology of Contemporary Music)

Lumière pour percussion solo

(1997) – ca 10’

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