Catalogue list by genre

Schedule for Harmony of the Spheres

for vocal sextet
text: Stanisław Lem
English translation: Tomasz Zymer

(2022) – ca 12

PWM 2022
commissioned by  Westdeutscher Rundfunk
for Wittener Tage für neue Kammermusik 

Outside the Realm of Time

for hologram-soloist and orchestra
(2022) – 25

PWM 2022
commissioned by Südwestrundfunk

Piano Concerto No.2

for piano(s) and orchestra
(2021) – ca 25

PWM 2022
commissioned by London Philharmonic Orchestra & Warsaw Philharmonic Orchestra

3 Songs

for self-accompanied singer
(2021) – ca 15’

commissioned by Eclat Festival in Stuttgart



for percussion and ensemble
(2021) – ca 20’

commissioned by Koussevitzky Music Foundation in the Library of Congress


Memory of Bronze

for carillon
(2021) – 16’
commissioned by Museum of Gdansk, The city of Gdansk

Unisono III

for voice, cello and computer
(2020) – 6’
commissioned by Inbal Segev
as part of the 20 for 2020 Recording Project


for ensemble
(2020) – 19’
PWM 2020
commissioned by Radio France and Ensemble InterContemporain



for solo Bass Drum
(2020) – ca 7-8’
commissioned by Ensemble InterContemporain and Théâtre du Châtelet



for trumpet, trombone and tuba
(2020) – 9’
PWM 2020
commissioned by Linea Ensemble


piano piano but not pianissimo

for piano(s) solo
(2019) – 10’



for ensemble
(2019) – 20’

PWM 2019
commissioned by 2e2m Ensemble


Chamber Piano Concerto

for piano(s) and ensemble
(2018) – ca 13’
PWM 2018
commissioned by Südwestrundfunk



for large symphony orchestra
(2018) – 8’
PWM 2018
commissioned by Adam Mickiewicz Institute


Cleopatra’s Songs

for voice and instrumental ensemble
text by William Shakespeare
(2017) – 30’
PWM 2018
written on the occasion of the Erste Bank Kompositionspreis 2018


Mother Lode I-III

chamber works cycle
(2017) – ca 21′

commissioned by Polish National Radio Symphony Orchestra


for two voices, instrumental ensemble and electronics
text by Heiner Müller
(2016) – ca 100′

PWM 2018
commissioned by Klangforum Wien and Adam Mickiewicz Institute


In the Shade of an Unshed Tear

for orchestra
(2016) – 15′

PWM 2016
commissioned by Seattle Symphony

Double Battery

for instrumental ensemble
ossia: with augmented sound space
(2016) – ca 20′
commissioned by Ensemble InterContemporain

The Alphabet of the Ars Brevis

for two male voices
(2016) – ca 4′
commissioned by Musikprotokoll

Chapter 13

for soprano and instrumental ensemble
text by Antoine de Saint-Exupéry
(2015) – 9’
commissioned by Los Angeles Philharmonic



for five voices
(2015) – 10’
commissioned by Westdeutschen Rundfunks
for Neue Vocalsolisten


Violin Concerto

for violin and chamber orchestra
(2014) – 13’
commissioned by Collections – Composers’ Commissions of Institute of Music and Dance

Where to

for instrumental ensemble
(2014) – 20’
commissioned by TenFourteen LLC, an arm of the Jebediah Foundation
for San Francisco Contemporary Music Players


for solo violin
(2013/2014) – ca 5’30”


for large symphony orchestra
(2013) – 12’30
commissioned by Hannoversche Gesellschaft für Neue Musik
for Staatsoper Hannover


for mixed choir
to poetry by William Shakespeare
(2013) – 7’30
commissioned by Wratislavia Cantans Festival

In Between the Ebb of Thoughts and the Flow of Sleep

for voice, piano and string orchestra
to poetry by Tadeusz Dąbrowski
(2013) – 14’30
commissioned by Collections – Composers’ Commissions of Institute of Music and Dance

Percussion Store

for percussion ensemble and orchestra
(2012) – ca 15’
commissioned by The Karol Szymanowski Philharmonic in Cracow


What is the word

for voice and instrumental ensemble
texy by Samuel Beckett
(2012) – ca 10’
commissioned by Klangforum Wien

Wounded Angel

for double bell trumpet
(2009/2012) – ca 8’


for voice and instrumental ensemble
text by Wisława Szymborska
(2011) – ca 10’
commissioned by Polish Institute in Tel Aviv

Shades of Ice

for clarinet, cello and electronics
(2011) – ca 9’
commissioned by London Sinfonietta

The Streets of a Human City

for instrumental ensemble
(2011) – 16’
commissioned by Deutschlandfunk
for Warsaw Autumn Festival

Aphorisms on Miłosz

for soprano and instrumental ensemble
text by Czesław Miłosz
(2011) – 20’
commissioned by Sacrum Profanum Festival


for percussion trio
(2011) – 14’


dramopera for soloists, actors, choir, percussion and electronics
(2011) – ca 80’
commissioned by Teatr Wielki – National Opera in Warsaw

Not I

for voice, instrumental ensemble and electronics
text by Samuel Beckett
(2010) – ca 21′

Symphony No. 3

for double bell trumpet and symphony orchestra
(2009) – ca 25′
scholarship of Rockefeller Foundation


for voice, electronics and dancers
(2008) – 51′

of Songs

for soprano, cello, choir and orchestra
(2007) – ca 40′
commissioned by City of Wroclaw
for Wratislavia Cantans Festival


for voice, flute, clarinet, violin and cello
text by Samuel Beckett
(2007) – ca 15′
commissioned by Seattle Chamber Players

Maximum Load

for percussion and computer
(2006) – 14′

String Quartet No. 1

for four cellos and computer
(2006) – ca 12’
commissioned by Ultraschall Festival in Berlin

Symphony No. 2

for 77 performers
(2005) – ca 14’
commissioned by Deutsche Welle

Concerto grosso

for recorder, baroque violin, harpsichord and choir
text by Miron Białoszewski
(2004) – ca 18’


for voice and preprared piano
text by Natasza Goerke
(2004) – ca 16′

Unisono II

for voice, accordion and computer
(2003) – 9′

Unisono I

for voice, percussion and computer
(2003) – 6’


for four marimbas
(2003) – 8’

Symphony No. 1

for orchestra
(2002) – 15’


for string orchestra, voice and accordion
(2001) – 13’
commissioned by Warsaw Autumn Festival and Ernst von Siemens Musikstiftung


for five percussionists
(2001) – 16’

Trivellazione a percussione

for percussion solo
(2000) – ca 8’


for voice and computer
(2000) – ca 8’

Photographs from an Album

for marimba and string quartet
(2000) – ca 17’



for bassoon and string orchestra
(1999) – 12’

Ludia i Fu

for guitar solo
(1999) – ca 6’
Edition Modran 2000 


for mixed choir
text by Jan Twardowski
(1999) – 5’ 

A Song about the End of the World

for voice, reciter and instrumental ensemble
text by Czesław Miłosz
(1998) – 10’

Three Miniatures

for piano
(1998) – 5’


for mixed choir
text by Wisława Szymborska
(1998) – 4’


for violin solo
(1997) – 8’
(Anthology of Contemporary Music)

Lumière pour percussion solo

(1997) – ca 10’

Ta strona używa plików Cookies. Dowiedz się więcej o celu ich używania i możliwości zmiany ustawień Cookies w przeglądarce. Więcej informacji

Informacja dotycząca polityki plików cookies: Informujemy, iż w naszych serwisach internetowych korzystamy z informacji zapisanych za pomocą plików cookies na urządzeniach końcowych użytkowników. Dalsze korzystanie z naszych serwisów, bez zmiany ustawień przeglądarki internetowej oznacza, iż użytkownik akceptuje politykę stosowania plików cookies.