Catalogue list by genre
ORCHESTRA
Outside the Realm of Time for hologram-soloist and orchestra– 25’
text by Marcel Proust
Instrumentation: 3431 – Timp. +3 perc – pn hp – strings
Fireworks for large orchestra– 8’
Instrumentation: 3343 – 4331 – 6 perc – hp – strings
Piano Concerto No.2 for piano(s) and orchestra– ca 25′
Instrumentation: 3333 – 3431 – 5 perc – piano solo (two pianos) – strings (13.12.10.8.4)
In the Shade of an Unshed Tear for orchestra– 15′
Instrumentation: 2222 – 2200 – Timp – strings
IN for large symphony orchestra– 12’30
Instrumentation: 3343 – 4331 – 5 perc – 2hp pf – strings (6.6.4.4.3)
Percussion Store for percussion ensemble and orchestra– ca 15’
Instrumentation: 4 perc solo – 3233 – 2221 – hp – strings
Symphony No.3 for double bell trumpet and symphony orchestra– ca 25’
Instrumentation: double bell tr solo – 3333 – 3431 – 5 perc – strings
Symphony No.2 for 77 performers– ca 14’
Instrumentation: 3333 – 3431- perc – hp pf – strings
Symphony No.1 for orchestra– 15’
Instrumentation: 3333 – 2 sax – 3431 – perc – hp pf cel – strings (10.10.10.8.6)
Ragnatela for bassoon and string orchestra– 12’
ORCHESTRA WITH VOICE
Of Songs for soprano, cello, choir and orchestra– ca 40’
Instrumentation: S(Ms) solo – vc solo – choir – 3030 – 4200 – 2 perc – cel – strings (6.6.6.6.2)
Outside the Realm of Time for hologram-soloist and orchestra– 25’
text by Marcel Proust
Instrumentation: 3431 – Timp. +3 perc – pn hp – strings
Es Lärmt das Licht for soprano and string orchestra– 19’
text by Rainer Maria Rilke
Instrumentation: S/or Ms solo, strings (10.4.3.2)
In Between the Ebb of Thoughts and the Flow of Sleep for soprano, piano and string orchestra– 14’30”
text by Tadeusz Dąbrowski
Instrumentation: S solo, pf, strings (6.5.4.3.2)
Lentille for string orchestra, soprano and accordion– 13’
Instrumentation: S solo, acc, strings (5.4.3.2.1)
A Song about the End of the World for soprano, reciter and instrumental ensemble– 10’
text by Czesław Miłosz
Instrumentation: S(Ms), Rec – 4 perc – pf cel – strings (5.4.3.2.1)
OPERA-FORMS
Bildbeschreibung opera-form for two voices, instrumental ensemble and electronics– 100’
text by Heiner Müller
Instrumentation: S solo, Bar solo – 2121 – sax – 1110 – 2 perc – hp pf keyb acc – strings (3.2.2.1) – electr.
Oresteia dramopera for soloists, actors, choir, percussion and electronics– ca 80’
Libretto: Maja Kleczewska after Aeschylus, in Maciej Słomczyński’s translation
Instrumentation: Countertenor, Baritone, Female voice, Actress / Actor / Actors
Choir (6 6 6 6), 3 Percussions, Electronics
Between opera/ballet for voice, electronics and dancers– 51’
Instrumentation: S(Ms) solo, 6-channel electronics
Catless Smile hologram opera for children– 40’
after Lewis Carroll’s Through the Looking-Glass and Alice in Wonderland
VOCAL MUSIC
Cleopatra’s Songs for voice and instrumental ensemble– 30’
text by William Shakespeare
Instrumentation: S solo – fl, 2 cl, hn, perc, hp, pf, 2 vn, vl, vc
Chapter 13 for soprano and instrumental ensemble– 9′
text by Antoine de Saint-Exupéry
Instrumentation: S solo – fl, ob, cl, perc, hp, pf, vn, vc, cb
Not I for voice, instrumental ensemble and electronics– ca 21′
text by Samuel Beckett
Instrumentation: voice, fl, cl, perc, pf, vn, vc, el.
Aphorisms on Miłosz for soprano and instrumental ensemble– ca 20’
text by Czesław Miłosz
Instrumentation: voice, fl, cl, tr, acc, perc, 2 vn, vl, vc, cb
Cascando for voice and instrumental ensemble– ca 15’
text by Samuel Beckett
Instrumentation: voice, fl, cl, vn, vc
Labyrinth for voice and instrumental ensemble– ca 10’
text by Wisława Szymborska
Instrumentation: voice, fl, tr, sax (lub cl.b.), cb
What is the word for voice and instrumental ensemble– ca 10’
text by Samuel Beckett
Instrumentation: voice, fl, pf, vn, vc
Where to for instrumental ensemble– 20’
Instrumentation: fl, cl, sax, tr, trbn, tb, perc, cb
ossia: with soprano
Recital for four for four improvising musicians– 36’
Parlando for voice and computer– ca 8’
Stories for voice and prepared piano– 16’
text by Natasha Goerke
Unisono I for voice, percussion and computer– 6’
Unisono II for voice, accordion and computer– 9’
Unisono III for voice, cello and computer– 6’
3 Songs for self-accompanied singer– ca 15’
Schedule for Harmony of the Spheres for vocal sextet or choir– ca 12’
text by Stanisław Lem
S Ms A T Bar B dir.
Madrigals for five voices– 10’
S S Ms T B
The Alphabet of the Ars Brevis for two male voices– 4’
Concerto grosso for recorder, baroque violin, harpsichord and choir– ca 18’
text by Miłosz Białoszewski
Lullaby for mixed choir– 7’30”
text by William Shakespeare
Birthday for mixed choir– 4’
text by Wisława Szymborska
Meditations for mixed choir– 5’
text by Jan Twardowski
CHAMBER INSTRUMENTAL MUSIC
Triptyque for ensemble– 19’
Instrumentation: 2121 – 1110 – 2 perc – hp pf – 2221
Violin Concerto for violin and chamber orchestra– ca 13’
Instrumentation: vn solo – 1111 – 1110 – 2 perc – hp pf – 11111
Chamber Piano Concerto for piano(s) and ensemble– 13’
Instrumentation: pf solo – fl, cl, perc, 2 vn, vl, vc, cb
Flash for percussion and ensemble– ca 20’
Instrumentation: perc solo, fl, cl, pf, vn, vl, vc
Double Battery for instrumental ensemble– 20’
ossia: with augmented sound space
Instrumentation: fl, ob, 2 cl.b, 2 perc, 2 vn, vl, 2 vc, cb
3×3 for ensemble– 20’
Instrumentation: ob, cl, sax, tr, el.guit, vn, vl, vc, cb
The Streets of a Human City for instrumental ensemble– 16’
Instrumentation: fl, sax, fg, tr, trbn, perc, pf, vn, vc, cb
Where to for instrumental ensemble– 20’
ossia: with soprano
Instrumentation: fl, cl, sax, tr, trbn, tb, perc, cb
Spray for 6 performers– 16’
Friction for trumpet, trombone and tuba– 9’
Shades of Ice for clarinet, cello and electronics– 9’
String Quartet No.1 for four cellos and computer– ca 12’
Connect 2 for Piccolo Flute and Kanklės or Grand Piano– ca 7’
Mother Lode I for violin and tuba– ca 9’
Mother Lode II for percussion trio– 10’
Mother Lode III for wind quintet (fl, ob, cl, fg, hn)– 9’
Suite for percussion trio– ca 14’
Nelumbo for four marimbas– 8’
Re-Cycle for five percussionists– 16’
Photographs from an Album for marimba and string quartet– ca 17’
Recital for four for four improvising musicians– 36’
SOLO INSTRUMENT
Cadenza for solo violin– 5’30’’
Piano Piano but not Pianissimo for two pianos and one pianist– 10’
Maximum Load for percussion and computer– 14’
mono-drum for solo Bass Drum– 7-8’
Wounded Angel for double bell trumpet– ca 8’
Pamięć z brązu for carillon– 16’
Aria for Contrabass from the opera Bildbeschreibung– ca 3’
Aria for Tubax from the opera Bildbeschreibung– ca 3’
Aria for Bass Flute from the opera Bildbeschreibung– ca 3’
Aria for Contrabass Flute from the opera Bildbeschreibung– ca 3’
Aria for Trumpet from the opera Bildbeschreibung– ca 3’
Aria for Cello from the opera Bildbeschreibung– ca 3’
Aria for Contrabass Clarinet from the opera Bildbeschreibung– ca 3’
Lumière pour percussion solo for percussion– ca 10’
Trivellazione a percussione for percussion– ca 8’
Three Miniatures for piano– 5’
Nocturne for solo violin– 8’
Ludia i Fu for solo guitar– ca 6’