Catalogue list by genre

ORCHESTRA

 

Outside the Realm of Time  for hologram-soloist and orchestra– 25’
text by Marcel Proust
Instrumentation: 3431 – Timp. +3 perc – pn hp – strings

 

Fireworks  for large orchestra– 8’
Instrumentation: 3343 – 4331 – 6 perc – hp – strings

 

Piano Concerto No.2  for piano(s) and orchestra– ca 25′
Instrumentation: 3333 – 3431 – 5 perc – piano solo (two pianos) – strings (13.12.10.8.4)

 

In the Shade of an Unshed Tear  for orchestra– 15′
Instrumentation: 2222 – 2200 – Timp – strings

 

IN  for large symphony orchestra– 12’30
Instrumentation: 3343 – 4331 – 5 perc – 2hp pf – strings (6.6.4.4.3)

 

Percussion Store  for percussion ensemble and orchestra– ca 15’
Instrumentation: 4 perc solo – 3233 – 2221 – hp – strings

 

Symphony No.3  for double bell trumpet and symphony orchestra– ca 25’
Instrumentation: double bell tr solo – 3333 – 3431 – 5 perc – strings

 

Symphony No.2  for 77 performers– ca 14’
Instrumentation: 3333 – 3431- perc – hp pf – strings

 

Symphony No.1  for orchestra– 15’
Instrumentation: 3333 – 2 sax – 3431 – perc – hp pf cel – strings (10.10.10.8.6)

 

Ragnatela  for bassoon and string orchestra– 12’

 

ORCHESTRA WITH VOICE

 

Of Songs  for soprano, cello, choir and orchestra– ca 40’
Instrumentation: S(Ms) solo – vc solo – choir – 3030 – 4200 – 2 perc – cel – strings (6.6.6.6.2)

 

Outside the Realm of Time  for hologram-soloist and orchestra– 25’
text by Marcel Proust
Instrumentation: 3431 – Timp. +3 perc – pn hp – strings

 

Es Lärmt das Licht  for soprano and string orchestra– 19’
text by Rainer Maria Rilke
Instrumentation: S/or Ms solo, strings (10.4.3.2)

 

In Between the Ebb of Thoughts and the Flow of Sleep  for soprano, piano and string orchestra– 14’30”
text by Tadeusz Dąbrowski
Instrumentation: S solo, pf, strings (6.5.4.3.2)

 

Lentille  for string orchestra, soprano and accordion– 13’
Instrumentation: S solo, acc, strings (5.4.3.2.1)

 

A Song about the End of the World  for soprano, reciter and instrumental ensemble– 10’
text by Czesław Miłosz
Instrumentation: S(Ms), Rec – 4 perc – pf cel – strings (5.4.3.2.1)

 

OPERA-FORMS

 

Bildbeschreibung  opera-form for two voices, instrumental ensemble and electronics– 100’
text by Heiner Müller
Instrumentation: S solo, Bar solo – 2121 – sax – 1110 – 2 perc – hp pf keyb acc – strings (3.2.2.1) – electr.

 

Oresteia  dramopera for soloists, actors, choir, percussion and electronics– ca 80’
Libretto: Maja Kleczewska after Aeschylus, in Maciej Słomczyński’s translation
Instrumentation: Countertenor, Baritone, Female voice, Actress / Actor / Actors
Choir (6 6 6 6), 3 Percussions, Electronics

 

Between  opera/ballet for voice, electronics and dancers– 51’
Instrumentation: S(Ms) solo, 6-channel electronics

 

Catless Smile  hologram opera for children– 40’
after Lewis Carroll’s Through the Looking-Glass and Alice in Wonderland

 

VOCAL MUSIC

 

Voice with instrumental ensemble

 

Cleopatra’s Songs  for voice and instrumental ensemble– 30’
text by William Shakespeare
Instrumentation: S solo – fl, 2 cl, hn, perc, hp, pf, 2 vn, vl, vc

 

Chapter 13  for soprano and instrumental ensemble– 9′
text by Antoine de Saint-Exupéry
Instrumentation: S solo – fl, ob, cl, perc, hp, pf, vn, vc, cb

 

Not I  for voice, instrumental ensemble and electronics– ca 21′
text by Samuel Beckett
Instrumentation: voice, fl, cl, perc, pf, vn, vc, el.

 

Aphorisms on Miłosz  for soprano and instrumental ensemble– ca 20’
text by Czesław Miłosz
Instrumentation: voice, fl, cl, tr, acc, perc, 2 vn, vl, vc, cb

 

Cascando  for voice and instrumental ensemble– ca 15’
text by Samuel Beckett
Instrumentation: voice, fl, cl, vn, vc

 

Labyrinth  for voice and instrumental ensemble– ca 10’
text by Wisława Szymborska
Instrumentation: voice, fl, tr, sax (lub cl.b.), cb

 

What is the word  for voice and instrumental ensemble– ca 10’
text by Samuel Beckett
Instrumentation: voice, fl, pf, vn, vc

 

Where to  for instrumental ensemble– 20’
Instrumentation: fl, cl, sax, tr, trbn, tb, perc, cb
ossia: with soprano

 

Recital for four  for four improvising musicians– 36’

 

Voice solo or with instrument

 

Parlando  for voice and computer– ca 8’

 

Stories  for voice and prepared piano– 16’
text by Natasha Goerke

 

Unisono I  for voice, percussion and computer– 6’

 

Unisono II  for voice, accordion and computer– 9’

 

Unisono III  for voice, cello and computer– 6’

 

3 Songs  for self-accompanied singer– ca 15’

 

Choir and vocal ensemble

 

Schedule for Harmony of the Spheres  for vocal sextet or choir– ca 12’
text by Stanisław Lem
S Ms A T Bar B dir.

 

Madrigals  for five voices– 10’
S S Ms T B

 

The Alphabet of the Ars Brevis  for two male voices– 4’

 

Concerto grosso  for recorder, baroque violin, harpsichord and choir– ca 18’
text by Miłosz Białoszewski

 

Lullaby  for mixed choir– 7’30”
text by William Shakespeare

 

Birthday  for mixed choir– 4’
text by Wisława Szymborska

 

Meditations  for mixed choir– 5’
text by Jan Twardowski

 

CHAMBER INSTRUMENTAL MUSIC

 

bigger ensembles

 

Triptyque  for ensemble– 19’
Instrumentation: 2121 – 1110 – 2 perc – hp pf – 2221

 

Violin Concerto  for violin and chamber orchestra– ca 13’
Instrumentation: vn solo – 1111 – 1110 –  2 perc – hp pf – 11111

 

Chamber Piano Concerto  for piano(s) and ensemble– 13’
Instrumentation: pf solo – fl, cl, perc, 2 vn, vl, vc, cb

 

Flash  for percussion and ensemble– ca 20’
Instrumentation: perc solo, fl, cl, pf, vn, vl, vc

 

Double Battery  for instrumental ensemble– 20’
ossia: with augmented sound space
Instrumentation: fl, ob, 2 cl.b, 2 perc, 2 vn, vl, 2 vc, cb

 

3×3  for ensemble– 20’
Instrumentation: ob, cl, sax, tr, el.guit, vn, vl, vc, cb

 

The Streets of a Human City  for instrumental ensemble– 16’
Instrumentation: fl, sax, fg, tr, trbn, perc, pf, vn, vc, cb

 

Where to  for instrumental ensemble– 20’
ossia: with soprano
Instrumentation: fl, cl, sax, tr, trbn, tb, perc, cb

 

smaller ensembles

 

Spray  for 6 performers– 16’

 

Friction  for trumpet, trombone and tuba– 9’

 

Shades of Ice  for clarinet, cello and electronics– 9’

 

String Quartet No.1  for four cellos and computer– ca 12’

 

Connect 2  for Piccolo Flute and Kanklės or Grand Piano– ca 7’

 

Mother Lode I  for violin and tuba– ca 9’

 

Mother Lode II  for percussion trio– 10’

 

Mother Lode III  for wind quintet (fl, ob, cl, fg, hn)– 9’

 

Suite  for percussion trio– ca 14’

 

Nelumbo  for four marimbas– 8’

 

Re-Cycle  for five percussionists– 16’

 

Photographs from an Album  for marimba and string quartet– ca 17’

 

Recital for four  for four improvising musicians– 36’

 

SOLO INSTRUMENT

 

Cadenza  for solo violin– 5’30’’

 

Piano Piano but not Pianissimo  for two pianos and one pianist– 10’

 

Maximum Load  for percussion and computer– 14’

 

mono-drum  for solo Bass Drum– 7-8’

 

Wounded Angel  for double bell trumpet– ca 8’

 

Pamięć z brązu  for carillon– 16’

 

Aria for Contrabass  from the opera Bildbeschreibung– ca 3’

 

Aria for Tubax  from the opera Bildbeschreibung– ca 3’

 

Aria for Bass Flute  from the opera Bildbeschreibung– ca 3’

 

Aria for Contrabass Flute  from the opera Bildbeschreibung– ca 3’

 

Aria for Trumpet  from the opera Bildbeschreibung– ca 3’

 

Aria for Cello  from the opera Bildbeschreibung– ca 3’

 

Aria for Contrabass Clarinet  from the opera Bildbeschreibung– ca 3’

 

Lumière pour percussion solo  for percussion– ca 10’

 

Trivellazione a percussione  for percussion– ca 8’

 

Three Miniatures  for piano– 5’

 

Nocturne  for solo violin– 8’

 

Ludia i Fu  for solo guitar– ca 6’

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